Which of the following is NOT a central figure of the Bossa Nova movement?

The correct answer highlights an individual who is not associated with the Bossa Nova movement. Bossa Nova, which emerged in Brazil in the late 1950s, incorporated elements of samba and jazz and is marked by its smooth melodies and soft rhythms.

Sérgio Mendes, Vinícius de Moraes, and João Gilberto are all key figures in the development and popularization of Bossa Nova. Sérgio Mendes is famous for his popular albums that helped bring Bossa Nova to international audiences. Vinícius de Moraes, a poet and lyricist, collaborated with many Bossa Nova musicians, contributing significantly to the genre's lyrical depth. João Gilberto is often credited with the creation of the Bossa Nova sound through his innovative guitar playing and vocal style.

In contrast, W.C. Handy is known as the "Father of the Blues," a pivotal figure in American music, particularly related to the development of the blues genre, which is distinct from Bossa Nova. His influence is rooted in early 20th-century American music, making him outside the realm of Bossa Nova. Therefore, identifying W.C. Handy as not a central figure of the Bossa Nova movement is accurate and emphasizes the importance of genre context in music history